#GROSS BEAT ABLETON FREE#
So, I have a list of free gross beat alternatives for you.Ĭheck out: 7 Best Free Autotune Plugin FREE Gross Beat Alternativesīelow plugins aren’t exactly like Gross Beat but with a few tweaks you can get the sound effects.
The problem is that it can be a little expensive and might not support every platform. It’s limitless in terms of what you can do. You can hear these effects in many of the songs and even in live performances of DJs. If you don’t know what I am talking about, Gross Beat is a time and volume manipulation plugin that can be used in any DAW, load it in an effects channel and can manipulate the audio that runs through it. It's no replacement for a real turntable, though, so there's no need to stick your 1200s on eBay just yet.Gross Beat is one of my favorite plugins to create cool effects with. So, if you think it sounds good on paper, you'll most likely find it lives up to your hopes. Yet, it's customisable and care has been taken to make sure that it's useful both live and in the studio. Gross Beat is, essentially, a basic effect that does a few simple things well, without going overboard. It's also possible to control the wet/dry mix of both the volume and time effects, or even to use CC to manipulate the time offset parameter - 'scratching' with a knob on your MIDI controller! Using these features together, you can come up with effects that aren't possible with vinyl.
#GROSS BEAT ABLETON PATCH#
If using MIDI, Gross Beat can be instructed to return to the previous scene as soon as the note is released, to go back after a new pattern has played through once, or to simply stay on the selected patch - handy for creating live fills and variations. This is done by clicking the relevant scene on the main interface, by striking a MIDI note, or by using MIDI CCs to scroll through the various modes on offer. The Time and Volume processors have 36 pattern slots per patch, making it easy to swap between them on the fly. Gross Beat offers plenty of potential for those looking to utilise its audio-mashing effects on the stage. Likewise, moving the record back and forth for scratching is doable and, when combined with crossfader-style volume patterns, can mimic the effect fairly realistically.Īlternatively, using stepped points, the beat can be played from different positions, making it easy to perform cut-up effects. If you've used the Sample Offset parameter in Ableton Live's Clip Envelopes before, you'll be familiar with this concept.Ī virtual 'spinback' is made possible by creating a steep slope that takes the virtual stylus to two bars earlier over the space of a single beat.
Any deviation from the top will result in the virtual record needle moving to some point into the past. With this engaged, the Envelope Mapping Panel's vertical axis represents time, with real-time at the top of the grid, and two bars earlier at the bottom. This isn't a particularly sophisticated effect, but it comes into its own when combined with Gross Beat's Time manipulation mode.
Using the Volume mode of the Envelope Mapping Panel, you can emulate a DJ's use of a crossfader to create rapid on-off stutters and swift fades. However, it is possible to change the snap resolution or turn it off entirely, and also select a variety of shapes, including various curves with definable gradients. Points are created on the display by right-clicking the panel, and by default these snap to eighth-notes and jump from one value to another, rather than ramping smoothly.